Santah. With her compatriots in Grandkids, those dulcet tones are brought to the foreground, resting gingerly on the shoulders of the group's gently flowing arrangements.
It starts simply enough with the Fahey-esque fingerpicking of opening track "Where's My Tribe," quickly joined by the forceful yet restrained bowing of Adam Gorcowski on cello. It's uncommon to find a group so ably anchored by this ample, stringed instrument, but Gorcowski proves its merit as he capably lays a foundation for his bandmates to embellish upon. That exact sort of subtle aggrandizement takes place over the course of "Clocktower," as McConnell's tranquil cadence floats above a bed of slowly building instrumentation. With its glistening guitars and faint rhythms, its arrangement echoes the lyrical conceit of being "stuck in golden honeytime." After a short interlude, "As the Gull Flies" finds the titular bird squealing above the bay as McConnell's voice laps against the shore. The song crests and settles into a swaying, oceanic groove—marooning the listener on an island with nothing more than this idyllic tune. It's arguably the most stripped-down track on the record, but the palpable sense of intimacy that results is unmatched. For the finale, the group lets loose on "Geese," a somewhat silly, upbeat number that serves as a kind of cathartic release in light of the more subdued tracks that precede it.
Grandkids forged an identity for themselves on their self-titled, debut EP and on Sister Walls that sound is finessed even further. The quartet turns in a collection of songs that are more restrained in nature, but display an unprecedented level of sophistication. Call it humblecore, call it chamber-pop, call it whatever you like—Sister Walls is a record full of handcrafted, homegrown music with a youthful face and an old soul.
The Sister Walls EP is available as a free download on Grandkids' Bandcamp